Mercury Soul, a registered 501c3 non-profit, has presented classical music in new ways to a new generation in soldout shows around the country. First launched at San Francisco’s famed Mezzanine club in 2008, it brought over 1,400 people to experience a unique combination of imaginative stagecraft, substantive programming, and engaging electro-acoustic interludes linking DJ’d and classical sets. Institutional partnerships have moved the project to new cities and exciting, dynamic venues, with each show a custom-designed to each space and ensemble. Mercury Soul sold out four shows with the New World Symphony in its Frank Gehry-designed hall; has presented a warehouse party and several shows at the club Metro with the Chicago Symphony; sold out the Static club with the Pittsburgh Symphony; and presented an After Hours event wit the San Francisco Symphony. Mercury Soul,a 501(c)3 non-profit organization and has been the recipient of grants from Creative Capital and the East Bay Community Fund (DLN # 17053141308040).
has conducted performances in diverse venues ranging from Berlin’s Philharmonie to San Francisco’s Junk Yard. His work with orchestras and opera houses includes the Los Angeles Philharmonic, the Royal Scottish National Symphony, the Tokyo Symphony, the Taipei Symphony, the BBC Scottish Symphony, the New World Symphony, the Iceland Symphony, and the Curtis Opera. For three years, he was Resident Conductor of the San Francisco Symphony and Music Director of the San Francisco Symphony Youth Orchestra.
, who appears as DJ Masonic in San Francisco’s clubs and artspaces, curates large, hybrid musical events in extraordinary spaces around the country. A dynamic electronica artist informed by his activities as a symphonic composer, he has worked in a range of venues — from big commercial clubs such as SF’s Mezzanine and Berlin’s Volksbühne, to institutional spaces such as SFMOMA and Miami’s New World Symphony. His works fusing orchestra and electronica have made him one of the most sought-after composers of his generation, and he currently serves as composer-in-residence with the Chicago Symphony.
is a visual artist, designer and director based in New York City. Her innovative strategy of integrating scenic, lighting and projection elements within the traditional symphonic hall is revolutionizing the concert experience. Patterson creates stunning, immersive installations that frame and inform the musical experience. Highlight productions include Every Good Boy Deserves Favor by Previn/Stoppard for the Philadelphia Orchestra, Bach’s St. John Passion for Atlanta Symphony Orchestra, 14 operas at the Aspen Opera Theater Center, and The Women of Brewster Place at Arena Stage and the Alliance Theater.